That's Entertainment

TV: Cape Fear Season 1 - Apple TV (from 5th June):

A storm is coming for happily married attorneys Anna and Tom Bowden (Amy Adams, Patrick Wilson). They have built a perfect life, but their world shatters when Max Cady (Javier Bardem) is released from prison. A notorious and terrifying killer they were responsible for convicting, Cady was locked away thanks to their legal efforts.

Now free, the cunning ex-convict has one thing on his mind: brutal vengeance against the family he believes destroyed his life. As Cady insidiously infiltrates their world, the couple is forced to confront a horrifying question, do they actually deserve his revenge? This 10-episode psychological thriller, executive produced by Martin Scorsese and Steven Spielberg, transforms a quiet American home into a nightmare of paranoia, guilt, and escalating terror.

Film: Savage House (Dir. Peter Glanz, cinemas from 5th June):

In 18th-century England, amidst a devastating pox outbreak and the political turmoil of the Jacobite uprising, the ruthlessly ambitious Sir Chauncey Savage (Richard E. Grant) and his equally driven wife, Lady Savage (Claire Foy), embark on a blind pursuit of a better life. Their family name proves fitting, as their stately home becomes a stage for ironic decadence, absurdity, and brutality.

Duels erupt like sudden thunderstorms, alliances crumble over candlelit dinners, and bloodshed becomes a routine consequence of their social climbing. This darkly satirical comedy from writer-director Peter Glanz skewers class and power as the Savage couple leave chaos, scandal, and bodies in their wake. As they navigate a world of powdered wigs, corsets, and moral decay, their relentless pursuit of status reveals the savage truth beneath the gilded surface of 18th-century aristocracy.

Music: Olivia Rodrigo, You Seem Pretty Sad for a Girl So in Love (Geffen, out 12th June):

Olivia Rodrigo’s third studio album, ‘you seem pretty sad for a girl so in love’, marks a bold departure from the angsty pop-punk of ‘SOUR’ and ‘GUTS’ . The 13-track album, produced as always by Dan Nigro, trades four-letter, all-caps titles and purple aesthetics for a softer, lowercase, emotionally complex exploration of love. Lead single “drop dead” offers a taste: a breathless, orchestral crush anthem where infatuation feels exhilarating yet terrifying. Throughout the record, Rodrigo navigates the confusion of being in a relationship that looks perfect on the outside but feels unsettling within. Drawing on dream-pop and ’90s slow-core influences, including a notable studio collaboration with The Cure’s Robert Smith, the album pushes her sound into hazier, more atmospheric territory while retaining her signature confessional lyricism. The result is a nuanced portrait of young adulthood: being in love, yet still feeling profoundly sad.